the

standing

as

inkling

chains of text

the leafs of planets

to watch a book later

an addiction of randomness

pulling gravities closer

rejecting the self-contained machines

one mouth to rule them all

chaos is always real

the squares are doubly drowned

both sides

in separated waters

times in tunnels

the accents are oscillating differently

halfway midair

steering

a century of photographs

in delayed rooms

controlling decades

god sleeps

in mother modus

with wet feet

and

through ilaupoleas

or with story monsters

in tales

as

other

between

,

the
standing

as
inkling

chains of text

the leafs of planets

to watch a book later

an addiction of randomness

pulling gravities closer

rejecting the self-contained machines

one mouth to rule them all

chaos is always real

the squares are doubly drowned
both sides
in separated waters

times in tunnels
the accents are oscillating differently

halfway midair

steering
a century of photographs

in delayed rooms
controlling decades

god sleeps
in mother modus
with wet feet

and
through ilaupoleas

or with story monsters
in tales

as
other

between

,

the

standing

as

inkling

chains of text

the leafs of planets

to watch a book later

an addiction of randomness

pulling gravities closer

rejecting the self-contained machines

one mouth to rule them all

chaos is always real

the squares are doubly drowned

both sides

in separated waters

times in tunnels

the accents are oscillating differently

halfway midair

steering

a century of photographs

in delayed rooms

controlling decades

god sleeps

in mother modus

with wet feet

and

through ilaupoleas

or with story monsters

in tales

as

other

between

,