the

witch

as

setting

to sense the making of wood spreading

painting the outer layers of tunnels

draping skins

to map the scenes in ordered rows

the number is a function

physical and symmetrical

plotting lines

resembling roofed rivers

it is possible to measure the final proof

the signal is thin and filled

a box full of earth

stopping by itself

to start from the top

with solid knowledge

calculating ratios

avoiding considerations

recruiting the cosmos

to conspire

in grey dreams

and

overfolding ilaupoleas

or centuries

as

studies

before

,

the
witch

as
setting

to sense the making of wood spreading

painting the outer layers of tunnels
draping skins

to map the scenes in ordered rows

the number is a function

physical and symmetrical
plotting lines

resembling roofed rivers

it is possible to measure the final proof

the signal is thin and filled

a box full of earth

stopping by itself

to start from the top
with solid knowledge

calculating ratios

avoiding considerations
recruiting the cosmos
to conspire

in grey dreams

and
overfolding ilaupoleas

or centuries

as
studies

before

,

the

witch

as

setting

to sense the making of wood spreading

painting the outer layers of tunnels

draping skins

to map the scenes in ordered rows

the number is a function

physical and symmetrical

plotting lines

resembling roofed rivers

it is possible to measure the final proof

the signal is thin and filled

a box full of earth

stopping by itself

to start from the top

with solid knowledge

calculating ratios

avoiding considerations

recruiting the cosmos

to conspire

in grey dreams

and

overfolding ilaupoleas

or centuries

as

studies

before

,